ART FOR PEACE
ART FOR PEACE INTERNATIONAL (API) AND PREMIER PHOTOGRAPHIC EXHIBITIONS
Art for Peace International (API) and Premier Photographic Exhibitions and IPF Picturing Peace is an initiative with an international roster of artists presented in year-round on-line and in person art exhibitions at the upcoming International Peace Festival on September 21-27, 2025.
Art: Susan Gosevitz


BUILDING BRIDGES THROUGH THE ARTS
Art For Peace International (API) is an initiative of the International Peace Festival (IPF) and International Peace Alliance (IPA), a Registered Charity and Member of ECOSOC, with the goal of using the arts and intercultural learning to inspire a culture of peace and hope, and educate non-violent
alternatives to create a sustainable, equitable, and harmonious global society. We offer workshops, events and exhibitions in which we use arts, based on a humanistic philosophy and universal spirituality, as an instrument to connect, find inner strength and peace to serve world peace.
Art: Susan Gosevitz
The artists whose works appear at the IPF Art and Premier Photographic Exhibition use their chosen medium to communicate their peaceful feelings, sensory impressions, spiritual dimensions, places, and spatial abstractions as part of value messages supporting peace. Thus, the IPF Art and Premier Photographic Exhibitions explore the concept of peace through four main categories: Space and Form, Qualities, Emotions/States, and People/Social.​​
Art: Susan Gosevitz


While peace is a multi-dimensional concept, it is primarily a social feeling and a value. The positive value of peace, of course, is pervasive in the IPF Art and Premier Photographic Exhibition, not least of which is the intended use of images to promote the cause of peace. Peace may constitute a state or condition: formerly at war, we are in a state of peace. Peace may also be conceptualized as a sensory and spiritual manifestation, such as the use of light to indicate peace. Peace may also characterize an environment, i.e., a peaceful place. Finally, peace may be represented as a spatial abstraction, such as through the concepts of open, balance, and harmony.​
Art: Susan Gosevitz
PICTURING PEACE
Local and Universal Symbols will constitute the main theme of this year’s IPF Art and Premier Photographic Exhibitions and will include portfolio reviews with esteemed Reviewers, Artist and Photographer Presentations, Panel Discussions, and more. All different types of artistic and lens-based projects will be represented in the exhibitions, including documentary, fine art, black and white, reportage, and interdisciplinary projects. This exhibition permit art and photo-based storytellers to bring their work to an international audience through the portal of industry leaders, editors, curators, and publishers.
Each Picturing Peace art work and photographs begins with a word concept. The artist or photographer expands on this concept so that a single image could represent a number of word concepts from one or all of the four categories: Space and Form, Qualities, Emotions/States, and People/Social.
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Peaceful Places: Images that embody “peace” or “peaceful” could be classified as the categories for Emotions/States or People/Social.
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Harmony and Balance in Nature: These art works and photographs reveal the natural sculptures, layered formations, and vibrant colours of nature and, therefore, demonstrate how the artist and photographer look to nature for inspiration to create interesting images of peace.
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Diversity, Community, and Cooperation: The category of People/Social includes word concepts for peace, community, diversity, and cooperation. The images reveal the photographer's understanding of diversity beyond ethnic and cultural backgrounds.
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Conflict in the Built Environment and Nature: The art works and photographs in this group have a strong social documentary dimension. The images respond to the inevitable social conflicts in the world around us, forcing the viewer to consider the surrounding realities of life.


Art: Bansky
The IPF Art and Picturing Peace initiative pays attention to the image-language interplay and different forms of knowledge produced by different kinds of image makers – professional and non-professional artist and photographers – and to the democratization of image making, frequently alleged to be a part of digitization. As an epistemological medium, photography is especially suitable for the depiction of everyday peace. These exhibition emphasize that peace photography is derivative, illustrative, and constitutive of peace.